Yellow magic orchestra - public pressure 公的抑圧


Across eight studio albums and countless solo endeavours, YMO refined a sound indebted to American jazz roots, yet blended countless influences into a mix of far-reaching styles. Formed in 1978 in the interest of both poking fun and paying homage to the sort of tonedeaf “exotica” of lounge musicians Martin Denny and Les Baxter , the trio sought to interpolate this petri dish of ahistorical kitsch into something more inspired by technology as a vehicle for cultural exchange. In the same way that Kraftwerk’s obsession with the automobile shed light on the profound humanity of the man and machine as one, YMO understood the exciting possibilities – and crippling horrors – that new technological advances could introduce to society. In the wake of the brutal devastation of their native Japan at the hands the atomic bomb, technology became a tool for progress and reconstruction, a medium by which the nation was able to find booming economic growth in the years to come.


Yellow Magic Orchestra - Public Pressure 公的抑圧Yellow Magic Orchestra - Public Pressure 公的抑圧Yellow Magic Orchestra - Public Pressure 公的抑圧Yellow Magic Orchestra - Public Pressure 公的抑圧

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